THE SHORT VERSION
- Guria, directed by Georgia’s Levan Koguashvili, won best film at the 19th Asia Pacific Screen Awards, handed out on 30 October on the Gold Coast.由格鲁吉亚导演 Levan Koguashvili 执导的《Guria》在第19届 Asia Pacific Screen Awards 获最佳影片，颁奖于10月30日在黄金海岸举行。
- Thailand’s Sompot Chidgasornpongse took best director for 9 Temples to Heaven, and the Jury Grand Prize went to Shahrbanoo Sadat for No Good Men.泰国导演 Sompot Chidgasornpongse 凭《9 Temples to Heaven》获最佳导演；评委会大奖授予 Shahrbanoo Sadat 的《No Good Men》。
- The field ran to 36 films from 32 countries; five projects received $10,000 each from the MPA APSA Academy Film Fund.本届共有来自32个国家和地区的36部影片入围；五个项目各获 MPA APSA Academy Film Fund 一万美元资助。
Best film goes to Guria最佳影片归于《Guria》
Guria, directed by Georgia’s Levan Koguashvili, was named best film at the 19th Asia Pacific Screen Awards, which were handed out on 30 October at The Star Gold Coast in Queensland, Australia, according to Variety. Deadline reports the same result from the Gold Coast on the night of the ceremony. Variety says Koguashvili shared the prize with producers Olena Yershova and Boris Frumin.据Variety报道，由格鲁吉亚导演 Levan Koguashvili 执导的《Guria》在第19届 Asia Pacific Screen Awards 上获最佳影片，颁奖于10月30日在澳大利亚昆士兰的 The Star Gold Coast 举行。Deadline在颁奖当晚从同一地点发回同一结果。Variety 称，Koguashvili 与制片人 Olena Yershova、Boris Frumin 共同获得该奖，两篇报道都没有提到导演是否到场领奖。
Variety describes the film as a production made across seven countries: Georgia, Switzerland, Luxembourg, Bulgaria, Türkiye, Norway and Saudi Arabia. Deadline calls it an international co-production and names the same three producers as those recognised alongside the director. Neither report describes the plot of Guria, and neither gives a release plan for it beyond the festival circuit. Deadline does not repeat the list of co-producing countries, or say which partner led the production.Variety 称这部影片由七个国家合作完成：格鲁吉亚、瑞士、卢森堡、保加利亚、Türkiye、挪威与沙特阿拉伯。Deadline 称其为国际合拍片，并列出了与导演一同受到表彰的同三位制片人。两篇报道都没有介绍《Guria》的剧情，也没有给出影片在影展之外的发行安排；Deadline 没有重复那份合拍国名单，也没有说明影片的拍摄周期与对白语言。
Thailand takes the directing prize最佳导演由泰国影片拿下
The directing prize went to Sompot Chidgasornpongse of Thailand for 9 Temples to Heaven, a co-production that Variety lists as involving Thailand, Singapore, France, Norway, China, Hong Kong, Indonesia and Qatar. Deadline records the same award without the list of territories. Variety adds that Aung Phyoe of Myanmar received a special mention in the directing category for Fruit Gathering, and that the Jury Grand Prize went to the Afghan director Shahrbanoo Sadat for No Good Men.最佳导演授予泰国导演 Sompot Chidgasornpongse 的《9 Temples to Heaven》；Variety 列出该片由泰国、新加坡、法国、挪威、中国、香港、印度尼西亚与卡塔尔合作完成，Deadline 记录了同一个奖项，但没有列出这些国家和地区。Variety 还写到，缅甸的 Aung Phyoe 凭《Fruit Gathering》获导演类特别提及，评委会大奖则由阿富汗导演 Shahrbanoo Sadat 以《No Good Men》拿下；两篇报道都没有说明这些奖项由几轮投票产生，也没有交代计票方式。
Deadline gives the jury’s reasoning for that last prize: it commended her “compelling approach to storytelling and her contribution to contemporary Afghan cinema”. Neither outlet names the individual jurors, and neither prints a citation for the special mention given to Aung Phyoe. Variety does not explain how the grand prize differs from the best film award, and neither report says how many films the jury considered or how the vote was taken.Deadline 给出了评委会对后一个奖项的说明：评语称赞她“compelling approach to storytelling and her contribution to contemporary Afghan cinema”。两篇报道都没有公布评委名单，也没有为 Aung Phyoe 的特别提及给出评语。Variety 没有解释评委会大奖与最佳影片奖之间的区别，两篇报道也都没有说明评委会看了多少部影片，也没有列出其他入围作品。
A field of 36 films from 32 countries36部影片、32个国家和地区的竞赛
Variety puts the size of the competition at 36 nominated films from 32 countries and regions. The performance prizes went to Pushpa Thing Lama of Nepal for Elephants in the Fog and, in the new performer category, to Sim Su-bin of South Korea for The World Before. The screenplay award went to Rakan Mayasi, Wahid Ajmi and Pôl Seif for Yesterday the Eye Didn’t Sleep, backed by Belgium, Lebanon, Palestine, Qatar and Saudi Arabia. Variety gives the backing countries for the screenplay prize but not for the acting awards.Variety 称，本届共有来自32个国家和地区的36部影片获得提名。表演类奖项由尼泊尔的 Pushpa Thing Lama 以《Elephants in the Fog》拿下，新演员奖则由韩国演员 Sim Su-bin 以《The World Before》获得。剧本奖授予 Rakan Mayasi、Wahid Ajmi 与 Pôl Seif 的《Yesterday the Eye Didn’t Sleep》，该片由比利时、黎巴嫩、巴勒斯坦、卡塔尔与沙特阿拉伯支持；Variety 没有给出36部入围影片的完整片单。
Vietnam’s Nguyễn Vinh Phúc took the cinematography prize for Hearing. Deadline lists the same acting, screenplay and craft winners in its own summary of the night, without Variety’s detail on the territories behind each film. Neither report gives vote counts or the names of the runners-up in any category, and neither lists the films that made up the 36-title field.越南摄影师 Nguyễn Vinh Phúc 凭《Hearing》获摄影奖。Deadline 在当晚的汇总中列出了相同的表演、剧本与技术类获奖者，但没有 Variety 那样逐部说明影片背后的国家和地区。两篇报道都没有公布票数或落选者名单，也没有给出各奖项的提名数量。
Youth film, animation and documentary青年电影、动画与纪录片
New Zealand’s Paloma Schneideman won best youth film for Big Girls Don’t Cry, produced by Vicky Pope and Thomas Coppell, according to Variety. The animation prize went to The Violinist, a co-production between Singapore, Spain and Italy co-directed by Ervin Han and Raúl García. Itab Azzam and Jack MacInness won best documentary for One in a Million, a British and American film that follows the life of a Syrian refugee. Deadline records the three prizes in the same order.据 Variety 报道，新西兰的 Paloma Schneideman 凭《Big Girls Don’t Cry》获最佳青年电影，制片人为 Vicky Pope 与 Thomas Coppell。动画奖授予《The Violinist》，这部由新加坡、西班牙与意大利合拍的影片由新加坡的 Ervin Han 与西班牙的 Raúl García 联合执导。Itab Azzam 与 Jack MacInness 凭《One in a Million》获最佳纪录片，这部英美合拍片跟随一名叙利亚难民的生活。Deadline 以同样的顺序记录了这三个奖项，两篇报道都没有提到这三部影片的发行安排。
Variety also records the Cultural Diversity Award, which went to Isabelle Kalandar, who directed and produced Another Birth, a collaboration between Tajikistan, the United States and Qatar. India’s R. Gowtham received the Young Cinema Award, given with NETPAC, for Members of the Problematic Family. Malaysia’s Haziqah Azemi took the Forum Filmmaker Award for a project called Garek. Neither report gives the cash value of these three awards, if they carry one.Variety 还记录了文化多样性奖，得主是自导自制《Another Birth》的 Isabelle Kalandar，该片由塔吉克斯坦、美国与卡塔尔合作。印度的 R. Gowtham 凭《Members of the Problematic Family》获得与 NETPAC 合作的青年电影奖。马来西亚的 Haziqah Azemi 以一个名为《Garek》的项目获得论坛创作者奖。这三个奖项是否附带奖金，两篇报道都没有写明，Deadline 也没有提到奖金安排。
The film fund and the academy behind it电影基金与它背后的学院
The ceremony also announced the five projects selected for the 2026 MPA APSA Academy Film Fund, each of which receives a $10,000 grant funded by the Motion Picture Association. Variety names them as Payal Kapadia’s A Memory of Being Here, Davy Chou’s My Father’s Glory, Taifeng Liu’s A Place in the Sun, Nicole Midori Woodford’s Incarnation and Zhanana Kurmasheva’s documentary The Story of My Shirt. Neither report says how the five were chosen.颁奖礼还公布了入选2026年 MPA APSA Academy Film Fund 的五个项目，每个项目获得由美国电影协会全额资助的一万美元。Variety 列出的名单是：Payal Kapadia 的《A Memory of Being Here》、Davy Chou 的《My Father’s Glory》、Taifeng Liu 的《A Place in the Sun》、Nicole Midori Woodford 的《Incarnation》，以及 Zhanana Kurmasheva 的纪录片《The Story of My Shirt》；两家媒体都没有说明这五个项目何时开始制作。
Variety notes that three of the five are directed by women, and that Anthony Chen, a producer on Incarnation, returns to the fund after We Are All Strangers received a grant in 2023 and was among this year’s nominees. The same report puts the APSA Academy, which every nominee joins along with the nomination councils and juries, at more than 1,816 members across 84 countries and areas, with Jack Thompson as president. Deadline lists the same five recipients and the same grant, without the production details.Variety 指出，五个项目中有三个由女性执导；《Incarnation》的制片人 Anthony Chen 也是再度回到该基金——他参与的《We Are All Strangers》曾在2023年获得资助，并入围了今年的提名。同一篇报道称，所有提名者与提名委员会、评委成员都会加入 APSA Academy，该学院现有超过1816名成员，分布在84个国家和地区，主席是澳大利亚资深电影人 Jack Thompson。Deadline 列出了同样的五个项目与同样的资助金额，但没有 Variety 那些制作细节，也没有解释这五个项目是如何选出的，也没有提到这些项目的制作周期。
What the chair said, and what neither report settles主席的话，以及两篇报道都没有说完的部分
Tracey Vieira, chair of the awards, is quoted by both outlets. Deadline prints the longer version, in which she says this year’s winners “remind us of the extraordinary stories emerging from our region and the importance of creating opportunities for these voices to be recognized internationally.” Variety also records the FIAPF Award for the veteran Indian producer Bobby Bedi, and quotes Luis Alberto Scalella, the federation’s president, on Bandit Queen and Fire. Neither report explains how that award was decided.两篇报道都引用了该奖主席 Tracey Vieira 的话。Deadline 的版本更长，她说今年的获奖者“remind us of the extraordinary stories emerging from our region and the importance of creating opportunities for these voices to be recognized internationally”。Variety 还记录了 FIAPF 奖授予印度资深制片人 Bobby Bedi，并引述该联合会主席 Luis Alberto Scalella 关于《Bandit Queen》与《Fire》的评价；两篇报道都没有说明这个奖项如何评出，Variety 的版本也没有提到评委会大奖的评语。
Neither report lists the full jury, the vote counts or a date for the next edition, and neither says when Guria will be released beyond the festival run. The confirmed record is the best film prize, the directing and jury awards announced with it, the 36-title field and the fund recipients both outlets tally. Related coverage on this site includes the BFI London Film Festival 2026 winners, the Tokyo festival run of Journey There, Nowhere to Lay My Eyes, Japan’s record anime market and the Rotterdam and IFFR 2027 premieres.两篇报道都没有列出完整评委名单、票数或者下一届的时间，也没有说明《Guria》在影展之外何时上映。可确认的记录是：最佳影片奖、随之公布的最佳导演与评委会奖项、36部影片的竞赛规模，以及两家媒体都记录的电影基金入选项目。两家媒体也都没有联系获奖者本人置评，也没有说明下一届的举办地点。本站相关阅读包括2026年 BFI 伦敦电影节获奖名单、《Journey There, Nowhere to Lay My Eyes》的东京影展之行、日本动画市场的纪录规模与鹿特丹与 IFFR 2027 首批世界首映。
Sources & reporting limits来源与核查范围
Follow Film to find related stories on your next visit.关注电影，下次访问时阅读相关文章。
